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bell hooks, "ethnographic gaze", "an outsider looking in", "does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler, "camera itself is empowered as phallic instrument", "the vehicle through which the transubstantiation occurs", "an instrument and effect of lesbian desire", "to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但說實話自己觀影時沒覺得這部的gaze有多problematic/patronizing,神雕侠侣可能因為我本身就是一個凝視這個群體的外人。
Viskningar och rop, whispers and cries(shouts). 親密溫暖時的低聲耳語,疏離冷漠時的竭力呼喊,多半不會被聽到。冷酷對冷淡,懦弱對虛偽,自私對自私,距離近未必親近,距離遠未必疏遠,心理上與物理上的距離感關係微妙。好多紅色。百多年前女性的衣著還是如此繁瑣,那個束腰如同花瓶的暗示。服裝的進化伴隨人類朝向自由的進化,舒適、輕便、活動自如、色彩與質感的平衡、適合多種場合,以及環保考量。所謂的漢服除了能在街上走走,神雕侠侣還有什麽用,複古和倒退還是不一樣。我這短評歪到哪去了
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