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“Greenaway’s obsessive aesthetic measures labor in hybrid forms that venture beyond the traditional territory of film, reaching for that intersection of the map, the wall, and the screen.” 但是在我看來,格林納威的空間本身(空間的圖像,而不是展覽圖像的方式)好像不是給人居住的,而是如畫廊裏的畫一樣供人欣賞的。泛著光澤的物世界和畫空間最終呈現出尼采所言“內在的幻覺世界的美麗外觀(schein)”,女人喜欢从后面进门的什么心理這種外觀(appearance/illusion)建造大概就是格林納威“瓦解邊界”的核心
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