Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.

不要一直瞎學這些大師的表麵好嗎，人家有敘事的。

木乃伊第三部 劇情有點扯 強烈鄙視換女主角 尤其鄙視男主角的兒子找個那麽老的人來演 2的小男孩可愛啊 梁洛施美啊

範霍文玩兒得極好，不僅探討了“性”作為藝術創作源泉的說法，更對正義感、道德與性欲之間的博弈做出了自己的闡述。唯一遺憾的就是邁克爾·道格拉斯，他整個人的氣質過於好萊塢，而且方法派情感的堆砌造成了一種間離感。講道理，這種纏綿於情愛性愛中的角色一定得讓歐洲演員來演，美國好萊塢演員普遍不具備那種抽象的、玉石俱焚般的氣質。

fucking stupid ass holes！愛情到最後總會燃燒成灰燼，關鍵是香蕉视频官网將會得到新的東西，但是總有些idiot不懂！！！！！！